7 - 5 4 .
7 - 5 5 .
7 - 5 6 .
Which of the following lens is
recommended for portraiture?
1.
35mm-85mm macro zoom
2.
85mm-105mm zoom
3.
50mm standard
4.
50mm macro
Which of the following short-range
l e n s e s i s a l s o c a l l e d a f i s h e y e
l e n s ?
1.
17mm
2.
24mm
3.
28mm
4.
35mm
Which of the following lenses is
recommended for shooting a
panoramic view of the side of a
ship?
1.
50mm
2.
24mm
3.
105mm
4.
300mm
7-57.
W h a t l e n s r e s u l t s i n t h e l e a s t
d i s t o r t i o n ?
1.
17mm
2.
50mm
3.
200mm
4.
300mm
7-58.
You are asked to photographically
document damages from a crane
a c c i d e n t i n a n u n s t a b l e a n d
potentially hazardous environment.
What lens should you choose to
remain a safe distance from the
d a n g e r w h i l e s t i l l a l l o w i n g y o u t o
c l o s e i n o n t h e s u b j e c t ?
1.
24mm
2.
50mm standard
3.
50mm macro
4.
100mm macro
7-59.
What is the lens speed of a 50mm
macro lens with f/stops ranging
f r o m f / 3 . 4 t o f / 1 6 ?
1.
f / 3 . 4
2.
f / 5 . 6
3.
f / 8
4.
f / l 6
7-60.
What action should you take to
i n c r e a s e d e p t h o f f i e l d f o r a n y
given camera?
1.
Change lenses
2.
Open up the aperture
3.
Stop down the aperture
4.
U s e a f a s t e r r a t e d f i l m
7-64.
7-63.
7-62.
7-61.
Latent images are formed when what
p a r t o f b l a c k - a n d - w h i t e
p h o t o g r a p h i c f i l m r e a c t s t o l i g h t ?
1.
Base
2.
Overcoating
3.
S i l v e r h a l i d e s
4.
A n t i h a l a t i o n b a c k i n g
Which of the following film types
i n d i c a t e s a c o l o r r e v e r s a l f i l m ?
1.
K o d a l i t h
2.
V e r i c o l o r
3.
Ecktachrome
4.
Panatomic-x
Which of the following film-types
i n d i c a t e s a c o l o r n e g a t i v e f i l m ?
1.
K o d a l i t h
2.
V e r i c o l o r
3.
Ecktachrome
4.
Panatomic-x
I n t o t a l d a r k n e s s , w h i c h o f t h e
following procedures can you use to
i d e n t i f y t h e e m u l s i o n s i d e o f s h e e t
film?
1.
Rub your fingers across both
s u r f a c e s t o f e e l f o r r o u g h n e s s
2.
P l a c e t h e e d g e o f t h e f i l m
b e t w e e n y o u r l i p s t o f i n d t h e
s i d e t h a t s t i c k s
3.
S c r a t c h t h e f i l m w i t h a
f i n g e r n a i l
4.
S m e l l t h e f i l m f o r s w e e t n e s s o n
t h e e m u l s i o n s i d e
7-65.
W h a t t e r m r e f e r s t o t h e s e n s i t i v i t y
t o l i g h t o f a f i l m e m u l s i o n ?
1.
L a t e n c y
2.
F i l m s e n s i t i v i t y
3.
F i l m s p e e d
4.
F i l m r a n g e
7-66.
Which of the following situations
r e q u i r e s a f a s t f i l m ?
1.
An outdoor personnel inspection
2.
Macro work on a defective shore
p o w e r c a b l e
3.
C o p y w o r k u n d e r t u n g s t e n
c a r b i d e l a m p s
4.
Dense viewgraphs backlit on a
copyboard
7-67.
In graphics photography, what film
c l a s s i f i c a t i o n i s u s e d m o s t o f t e n ?
1.
Monochromatic
2. E k t a c h r o m a t i c
3. Panchromatic
4.
Infrared
38
