2-40.
You can standardize as many
production procedures as possible
f o r a t e l e v i s i o n p r o d u c t i o n b y
using which of the following
methods?
1.
U s i n g a s c r i p t
2.
Using a story treatment
3.
S t a n d a r d i z i n g g r a p h i c s i z e
4.
Breaking each scene into basic
elements
2-41.
What production component is known
a s t h e "word picture" of a story?
1.
S c r i p t
2.
Scenario
3.
Storyboard
4.
S t o r y t r e a t m e n t
2-42.
Each idea or point to achieve your
d e f i n e d p r e s e n t a t i o n o b j e c t i v e i s
written on which of the following
documents?
1.
S c r i p t
2.
Storyboard
3.
S t o r y c a r d s
4.
S t o r y t r e a t m e n t
2-43.
A f t e r t h e i n i t i a l s t e p s o f p l a n n i n g
and organizing an audiovisual
p r e s e n t a t i o n a r e t a k e n , w h a t
production aid should you use?
1.
A s c r i p t
2.
A storyboard
3.
A s t o r y t r e a t m e n t
4 .
A standard scenario
2-44.
Decisions concerning the overall
treatment and mood of a televised
production are usually made during
the development of what basic
element?
1.
Standardized format
2.
S t o r y t r e a t m e n t
3.
Storyboard
4 .
S c r i p t
2-45.
Which, if any, o f t h e f o l l o w i n g
s t e p s i s t h e s e c o n d s t e p i n
storyboarding?
1.
A r r a n g e t h e c a r d s i n l o g i c a l
o r d e r
2.
A r r a n g e t h e c a r d s t o r e p r e s e n t
c o n t i n u i t y o r f l o w
3.
Place each idea on a 3" by 5"
c a r d
4.
Number cards sequentially
2-46.
W h a t i s t h e l a s t s t e p i n
storyboarding?
1.
A r r a n g e t h e c a r d s i n a l o g i c a l
sequence
2.
A r r a n g e t h e c a r d s t o r e p r e s e n t
c o n t i n u i t y o r f l o w
3.
Place each idea on a 3" by 5"
c a r d
4.
R e c o r d e a c h i d e a i n t o a s c r i p t
2-47
2-48
2-49
A script should contain which of
t h e f o l l o w i n g n o t a t i o n s ?
1.
Sound effects
2.
Camera angles
3.
Scene locations
4.
All of the above
Photographic information is NOT
c o n t a i n e d o n t h e s c r i p t b e c a u s e i t
i s t h e r e s p o n s i b i l i t y o f t h e c a m e r a
person.
1.
True
2.
F a l s e
Y o u a r e c r e a t i n g a s e r i e s o f
a u d i o v i s u a l p r e s e n t a t i o n s i n w h i c h
t h e f i r s t i n s t a l l m e n t w a s
photographed in black-and-white.
How should you photograph the
i m a g e r y i n t h e t h i r d i n s t a l l m e n t ?
1.
I n c o l o r
2.
In black-and-white
3.
Black-and-white combined with
c o l o r
4.
Black-and-white combined with
viewgraphs
14
