ASSIGNMENT 6
Textbook Assignment:
" L e t t e r i n g , "
chapter 5, pages 5-54 through 5-65; and "Airbrush,"
chapter 6, pages 6-l through 6-58.
6-1.
6-2.
6-3.
6-4.
6-5.
6-6.
6-7.
B e a u t i f u l h a n d l e t t e r i n g i s a l s o
known by what term?
1.
H a n d l e t t e r i n g
2.
P r i n t i n g
3.
Typography
4.
C a l l i g r a p h y
C a l l i g r a p h i c c a p i t a l l e t t e r s a r e
also referred to by what term?
1.
UC
2.
Uppercase
3.
Majuscule
4.
Minuscule
C a l l i g r a p h i c l o w e r c a s e l e t t e r s a r e
also referred to by what term?
1.
L C
2.
Lowercase
3.
Majuscule
4.
Minuscule
What is the term used for
c a l l i g r a p h i c l e t t e r s d r a w n w i t h
more flourishes and embellishments
t h a n l e t t e r s t y p i c a l t o t h a t
family?
1.
M a j e s t i c
2.
Decorated
3.
I l l u m i n a t e d
4.
Embellished
I n c a l l i g r a p h i c l e t t e r i n g ,
s t r a i g h t e n i n g t h e f o r e f i n g e r d u r i n g
l e t t e r i n g i n d i c a t e s w h i c h o f t h e
following problems?
1.
Gripping the pen too low
2.
Gripping the pen too high
3.
Excessive pressure between the
pen nib and paper
4.
Excessive pressure between the
thumb and forefinger
W h a t g u i d e l i n e a s s i s t s i n t h e
placement of kerns?
1.
C a p l i n e
2.
W a i s t l i n e
3.
B r a n c h l i n e
4.
B a s e l i n e
I n c a l l i g r a p h i c l e t t e r i n g , h o w i s
the distance between guideline
placement determined?
1.
B y l e t t e r h e i g h t
2.
By mathematical equation
3.
B y p e n w i d t h r a t i o
4.
B y a r b i t r a r y s e l e c t i o n
6-8.
What method is used to accustom you
t o l e t t e r s p a c i n g o f c a l l i g r a p h i c
l e t t e r s ?
6-9.
6-10.
6-11.
1.
n - c h a i n
2.
m-chain
3.
o - c h a i n
4.
s - c h a i n
In what form do vertical guidelines
a p p e a r i n c a l l i g r a p h y i n - t h e - r o u n d
formats?
1.
A s i n c l i n e d l i n e s
2.
A s v e r t i c a l l i n e s
3.
A s h o r i z o n t a l l i n e s
4.
A s r a d i i
DMs use airbrushes to apply paint
in what manner?
1.
I n s h a r p ,
t o n a l c o n t r a s t s
2.
I n b r i g h t , opaque tones
3.
I n d i s c e r n a b l e , p a s t e l t i n t s
4.
I n s o f t , t o n a l g r a d a t i o n s
B y a d j u s t i n g t h e n o z z l e o f s i n g l e -
a c t i o n a i r b r u s h e s , w h a t a c t i o n a r e
you regulating?
1.
The volume of air passing
t h r o u g h t h e a i r b r u s h o n l y
2.
The amount of fluid flow only
3.
The amount of fluid flow and
t h e v o l u m e o f a i r p a s s i n g
t h r o u g h t h e a i r b r u s h
4.
T h e p a t t e r n o f f l u i d s p r a y e d
6-12.
U s i n g a p r o p e r l y a d j u s t e d s i n g l e -
a c t i o n a i r b r u s h , y o u c a n v a r y s p r a y
patterns by which of the following
methods?
1.
Speeding up the brush movements
2.
R e a d j u s t i n g t h e p a i n t c o n t r o l
lever
3.
Changing the distance between
t h e a i r b r u s h a n d p a p e r
4.
R e - c o v e r i n g a p a i n t e d a r e a
6-13.
When using double-action
a i r b r u s h e s ,
d e p r e s s i n g t h e f i n g e r
l e v e r c a u s e s w h a t r e s u l t ?
1. R e l e a s e s a i r o n l y
2. R e l e a s e s f l u i d o n l y
3.
R e l e a s e s a i r a n d f l u i d
4. R e l e a s e s m o r e a i r a n d i n c r e a s e s
f l u i d
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